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Stanley Mouse and Alton Kelley The Grateful Dead 1966 San Francisco FD-22 Concert Poster
$125.00
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Stanley Mouse and Alton Kelley The Grateful Dead 1966 San Francisco FD-22 Concert Poster

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$125.00   
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Description

Introduction

Immerse yourself in the vibrant spirit of San Francisco's 1960s counterculture with this iconic concert poster by legendary artists Stanley Mouse and Alton Kelley. Created for The Grateful Dead's electrifying performance at the Avalon Ballroom, this masterpiece epitomizes the artistic and cultural revolution of the era. With its bold typography, intricate psychedelic detailing, and captivating imagery, this poster is a true collector's item, capturing the essence of the Grateful Dead's music and the transformative power of live performance.

  • Artists: Stanley Mouse and Alton Kelley
  • Year: 1966
  • Edition: FD-22 RP-3
  • Numbering: NA
  • Signature: NA
  • Dimensions: Approximately 14"x20"
  • Material: Original Concert Poster
  • Venue: The Avalon Ballroom

The Artists: Stanley Mouse and Alton Kelley

Stanley Mouse and Alton Kelley's partnership began in 1965, when a chance encounter sparked a creative synergy that would forever shape the landscape of psychedelic art. Mouse, a skilled draftsman with a flair for the dramatic, brought his technical expertise to the forefront. Kelley, a visionary with a penchant for the surreal, infused their work with a dreamlike quality. Together, they formed Mouse Studios, a creative hub that became synonymous with the psychedelic poster movement.

The Band: The Grateful Dead

Emerging from the vibrant music scene of 1960s San Francisco, the Grateful Dead established themselves as a cultural phenomenon and one of the most influential bands in rock history. Their music, a fusion of rock, blues, jazz, folk, and improvisational elements, resonated with the counterculture movement, capturing the spirit of experimentation, personal liberation, and social consciousness.

Formative Years and Musical Evolution

The Grateful Dead's roots can be traced back to 1965 when Jerry Garcia, a guitarist and vocalist, and Ron "Pigpen" McKernan, a vocalist and organist, began performing together in Palo Alto, California. The band's lineup evolved over the years, eventually settling on Garcia, Bob Weir (guitar, vocals), Bill Kreutzmann (drums), Phil Lesh (bass, vocals), and Keith Godchaux (keyboards, vocals) in the late 1960s.

Psychedelic Rock Pioneers and Live Performance Virtuosos

The Grateful Dead's music was heavily influenced by the psychedelic movement of the 1960s, incorporating elements of LSD-induced experiences and Eastern mysticism. Their long, improvisational jams, often extending beyond two hours, became their signature style, captivating audiences with their blend of musical exploration and spontaneous creativity.

The Venue: The Avalon Ballroom 

The Avalon Ballroom, a legendary venue in San Francisco, emerged as a sanctuary for the counterculture movement. Its psychedelic ambiance, pulsating with music and energy, provided the perfect backdrop for Mouse and Kelley's art. The Quicksilver Messenger Service 1966 Concert Poster, designed for their performances at the Avalon, became an emblem of the venue's transformative spirit, a visual representation of the era's rebellion, its rejection of conventional norms, and its pursuit of a more enlightened world.

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