Travel back in time to the heart of San Francisco's vibrant music scene in 1966 with the iconic poster designed by Stanley Mouse for the Daily Flash's concert. This poster serves as a captivating portal to the psychedelic sounds and artistic fervor of the era. Join us as we explore the artistic brilliance of Stanley Mouse, captured in this poster that embodies the spirit of a transformative period in rock 'n' roll history.
-
Artists: Stanley Mouse and Alton Kelley
-
Year: 1966
-
Edition: FD-35 OP-1
-
Numbering:
-
Signature:
-
Dimensions:
-
Material:
-
Venue: The Avalon Ballroom
The Artists: Stanley Mouse and Alton Kelley
Stanley Mouse and Alton Kelley's partnership began in 1965, when a chance encounter sparked a creative synergy that would forever shape the landscape of psychedelic art. Mouse, a skilled draftsman with a flair for the dramatic, brought his technical expertise to the forefront. Kelley, a visionary with a penchant for the surreal, infused their work with a dreamlike quality. Together, they formed Mouse Studios, a creative hub that became synonymous with the psychedelic poster movement.
The Band: The Daily Flash
The Daily Flash was a 1960s American folk-rock band that emerged from the vibrant music scene of the era, particularly in the Pacific Northwest. Formed in Seattle, Washington, in 1965, the band was known for its melodic folk-rock sound, harmonious vocals, and catchy songwriting.
Here are some key highlights about the Daily Flash:
-
Formation and Early Years: The Daily Flash was originally formed as a trio consisting of Steve Lalor (vocals, guitar), Don MacAllister (vocals, guitar), and Doug Hastings (vocals, bass). They were later joined by drummer Jon Keliehor. The band's name was inspired by the concept of providing a "daily flash" of music and entertainment to their audiences.
-
Folk-Rock Pioneers: The Daily Flash was one of the pioneering bands of the folk-rock genre. Their music was characterized by acoustic and electric guitars, three-part harmonies, and lyrics that often reflected the social and cultural changes of the 1960s.
-
Recording Career: In 1966, the Daily Flash released their debut single, "Jack of Diamonds," which gained some attention and radio play. They followed it with their self-titled album, "The Daily Flash," in 1967. While the album received critical acclaim, it did not achieve commercial success.
The Venue: The Avalon Ballroom
The Avalon Ballroom, a legendary venue in San Francisco, emerged as a sanctuary for the counterculture movement. Its psychedelic ambiance, pulsating with music and energy, provided the perfect backdrop for Mouse and Kelley's art. The Quicksilver Messenger Service 1966 Concert Poster, designed for their performances at the Avalon, became an emblem of the venue's transformative spirit, a visual representation of the era's rebellion, its rejection of conventional norms, and its pursuit of a more enlightened world.
